青少年科技創新書 The Way Things Work Now

  • 勁減
  • 定價 MOP$329.00
結帳時計算運費


亞馬遜年度最佳兒童讀物:非小說類

2016年《舊金山紀事》
紐約時報暢銷書
首席解釋官David Macaulay更新了全球暢銷書《 The New Way Things Working》,以捕捉對我們的生活影響最大的技術的最新發展。這本非凡而幽默的書著名的書中包含了從風車到Wi-Fi的所有內部工作的信息,既引導讀者了解機器的基本原理,又展示了過去的發展如何構建明天的世界。這個全面修訂的版本涵蓋了從觸摸屏到3D打印機的所有最新開發。每個科學原理都得到了精彩的解釋-借助一個迷人的,機靈的,毛茸茸的猛ma象。

 

本書對重大發明進行了圖示說明,並附有技術術語詞彙表和索引。拉鍊和犁,牙醫鑽和風車之間可能有什麼聯繫?停車收費表和絞肉機,大型噴氣式飛機和手提鑿岩機,遙控器和火箭,電吉他和打蛋器?麥考雷向所有人解釋。
“ ...期待已久的對有史以來出版的更多原始書籍之一的更新。”
—學校圖書館雜誌
*“ Macaulay設計精美,引人入勝的非正式圖表和剖面圖使即使是休閒的觀眾也能更好地理解過去和現在的技術奇蹟。每個圖書館,無論是私人圖書館還是其他圖書館,都是必需的。” — Kirkus,加註星標評論
讚美事物的運作方式
“工作方式是一項了不起的成就。這是一本非常漂亮的書,有許多有趣的謎語和良好的教育素養,它們在用文字和圖片(主要是圖片)進行解釋的同時,還揭示了一些物理奧秘,使您微笑並常開懷大笑。作者很誠實地說這本書是為所有年齡段的孩子準備的,而且精采到足以使所有讀者感到比他們想像的要聰明。” —《紐約時報》
“事情的運作方式不是唯一一本試圖解釋現代奧秘的書,而是最好的書。 Macaulay的解釋很清楚。他們也很有趣。他包括視覺雙關語,奔跑的笑話,機器上及周圍成千上萬的小參與者,天使合唱團和許多大型的毛毛猛s象。” —《波士頓環球報》
“將本書作為孩子的秘密保持一段時間,然後研究您所期待的問題的解釋。讓Macaulay使您看起來比您想像的要聰明。孩子們一定會留下深刻的印象-您會以便宜的價格得到真正的教育。” —《洛杉磯時報》
“由建築師轉變為作者的驚人之旅,為我們帶來了大教堂和城市。” —基爾庫斯
“這是巨大的想像力,活力和幽默感的作品。它證明了每個批評家的信念,即信息和娛樂不是互斥的-好的非小說類作品是在講故事。 —兒童讀物中心公告,已加星標評論
“ Macrolay將一位嶄露頭角的史前工程師的細語觀察與對機械和電機功能的敏銳描述相結合,產生了極佳的成績。” ­——《角書》,加註星標

 

“一本書既可作為瀏覽項目,又可作為參考信息的金礦。”-《學校圖書館雜誌》,加註星標

 

A New York Times Bestseller

Explainer-in-Chief David Macaulay updates the worldwide bestseller The New Way Things Work to capture the latest developments in the technology that most impacts our lives. Famously packed with information on the inner workings of everything from windmills to Wi-Fi, this extraordinary and humorous book both guides readers through the fundamental principles of machines, and shows how the developments of the past are building the world of tomorrow. This sweepingly revised edition embraces all of the latest developments, from touchscreens to 3D printer. Each scientific principle is brilliantly explained--with the help of a charming, if rather slow-witted, woolly mammoth.

An illustrated survey of significant inventions closes the book, along with a glossary of technical terms, and an index. What possible link could there be between zippers and plows, dentist drills and windmills? Parking meters and meat grinders, jumbo jets and jackhammers, remote control and rockets, electric guitars and egg beaters? Macaulay explains them all.


A Conversation with David Macaulay

Explainer-in-Chief David Macaulay talks about the ins and outs of updating his essential guide to the world of machines - The Way Things Work Now.

What was the most rewarding thing about doing this updated version of your now-classic book?

The opportunity not only to stay current, but to make improvements to the object itself. The first is a no-brainer, but the second is personal. Staying up-to-date meant adding devices that are now so familiar we take them for granted and in fact have become completely dependent on them. It’s actually fun to have at least a basic sense of how a touchscreen works, not to mention e-paper. One clue—it’s not paper.

The more personal reward came with the opportunity to create what I hope is a more visually attractive book. Replacing the two color images (required of the first edition to keep costs down) with full-color art meant that not only is the book brighter and I think more inviting but also it offers greater clarity. In many of the earlier spreads, pieces of text floated in a sea of white space, often seeming disconnected from the related art. It doesn’t help a reader trying to absorb new information if they aren’t quite sure about the order or combination in which it should be viewed.

It takes a team to create a work like this! Can you briefly describe how you all worked together?

This book was a group effort from the beginning. As with the original editions, the new one was produced simultaneously on both sides of the Atlantic. Research, writing, editing, and overall design happened in London. The pictures were developed and finally produced in my Vermont studio. I’m not a big fan of the distance, since it makes quick and more casual conversation possible between team members, even with Skype and FaceTime, etc., impossible. But since we weren’t developing a whole new project, these communication shortcuts probably made sense. It’s just not as much fun to work in isolation.

How has your process evolved over the years?

I think the answer is 'Backwards'. Each big book takes me longer than the one before, although the process hasn’t really changed much. Once I have my subject, I begin the research and stay with it until I run out of time. The original The Way Things Work was scheduled to be published in 1988. I joined the team in 1984 as the illustrator and spent the first two years trying to figure out how to avoid just making pictures of machines. It was during that time that I came up with the idea of an inventor’s notebook and the mammoth—an innocent victim of technology. Not only was I trying to put off the 'hard work' for as long as possible; I was hoping to find a way of introducing people to technology that was a little bit different and as unintimidating as possible. Because of the schedule, procrastination was severely limited. Now I can spend four years or more searching for just the right way of doing something before I finally have to do it. I ask more questions than I ever did and seem to have less confidence in my answers, so I ask them again. It’s a painful and pathetic process, and in the end, I can’t say that it actually produces a better book. So my process is perhaps devolving.

Why do we need this book if we can find pretty much all this information online?

If all you’re looking for is information, the Internet with all its content, hyperlinks, diverse media, and incredible speed is hard to beat. But The Way Things Work Now was created to be much more than just a catalog of information. It was intended as a friendly and reassuring introduction to the often complicated world of machines—a catalyst for curiosity with a reward on every page or two. The book had to be illuminating, engaging, and entertaining—these are not necessarily characteristics so highly valued online. It had to be straightforward but never simplistic. One of the great things about a book is that the limits are built in. It can only be so long, and then you run out of pages. This is a plus. For younger readers, it seems to contain everything they might ever need to know. For older readers who know there is so much more out there, it offers a sizable introduction and perhaps some direction.

What do you enjoy most about reading nonfiction?

Learning and being entertained at the same time. I love being introduced to new ideas and gaining new insights from knowledgeable writers who also know how to tell a story. I can find the facts online, but it’s the story that makes them stick.

You’ve created quite a number of books. Do you have a favorite?

I have several favorites. Angelo is my favorite 'picture book' because I finally created a couple of characters I really cared about. Cathedral is my favorite architecture book because I had no preconceived idea of what I was trying to do until I actually did it. Underground is my favorite 'subterranean' book because I couldn’t just go to the library and find other subterranean books that weren’t engineering texts. I had an opportunity to create a book that could show regular people, like me, what actually goes on down there. And Baaa is my favorite depressing book, mostly because I thought I was creating a work of fiction based on my own twisted view of life. Turns out it’s a work of nonfiction, and life actually is pretty twisted—once you get past the sheep.

What are you working on now?

I’m working on a book about crossing the Atlantic, something my family and I did sixty years ago on a ship called the SS United States. It combines history and technology with biography and autobiography, all of which are described primarily through illustration—as usual.